The abject desire stems from the concept of social abjection which sees marginal groups outcasted through neo-liberalization yet kept within close proximity due to their viability as scapegoats within society.  

As such through sculptural approaches, the works aim to uncover how the abject desire can be provoked within the liminal spaces of the bodily familiar. The works often take the forms of distorted appendages that reference skin and flesh like textures to encapsulate the disgust yet fascination that is the abject.